Green Day - 1990 - 1,039 Smoothed Out Slappy Hours (320kbps) KindMetalRG
FORMED:
1988 in Berkeley, CA
COVER
RELEASED
1990
TRACK LIST, TIME, SIZE
1. (00:02:27) Green Day - At The Library
2. (00:02:39) Green Day - Don't Leave Me
3. (00:03:36) Green Day - I Was There
4. (00:02:52) Green Day - Disappearing Boy
5. (00:03:2 Green Day - Green Day
6. (00:03:31) Green Day - Going To Pasalacqua
7. (00:03:24) Green Day - 16
8. (00:03:35) Green Day - Road To Acceptance
9. (00:03:06) Green Day - Rest
10. (00:02:34) Green Day - The Judge's Daughter
11. (00:02:25) Green Day - Paper Lanterns
12. (00:02:33) Green Day - Why Do You Want Him?
13. (00:02:54) Green Day - 409 In Your Coffeemaker
14. (00:02:20) Green Day - Knowledge
15. (00:02:26) Green Day - 1,000 Hours
16. (00:03:44) Green Day - Dry Ice
17. (00:02:46) Green Day - Only Of You
18. (00:03:01) Green Day - The One I Want
19. (00:03:09) Green Day - I Want To Be Alone
Playing Time.........: 00:56:30
Total Size...........: 129.33 MB
NFO generated on.....: 6/26/2007 1:56:48 AM
REVIEW
When Green Day's first album appeared, anyone predicting that fame, MTV, top-selling albums, and more would be on the horizon in the near future would have been happily patted on the head and then sent to the insane asylum. It helps to remember that Nirvana's breakthrough was still a year away, for one thing, and, for another, 1,039/Smoothed Out Slappy Hour isn't a truly great album in the first place. It's not bad, by any means, and quite arguably just about everything on it could be transposed with a slight aural tweak here and there to Dookie or Insomniac without anyone batting an eye. It's just little more than a fun punk-pop album with some entertaining metallic flash here and there, one of many such records that the late '80s and early '90s produced in the indie rock world. After a great start with "At the Library," it's quickly clear that the rest of the record is going to continue in the same vein. What's fun is realizing how much the band already had to work with, pursuing obvious love of three-chord forebears like the Dickies and the Ramones to energetic if not revelatory ends. Billie Joe Armstrong's balance of disaffection and nervous, goofy passion is well in place, while he's already showing his effective, no-frills approach to chewy feedback melody. Songs like "I Was There" and "Road to Acceptance," not to mention the implicitly weed-celebrating "Green Day" itself, are great calling cards for later breakouts on both levels. Mike Dirnt's no slouch himself, providing good backing vocals when needed for harmony, but oddly enough the most prominent performance throughout comes from original drummer John Kiftmeyer, who wouldn't last through to the next album. Call it a quirk of recording, but there it is.
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